While supervising a program for gifted children who wear augmented reality glasses, three chaperones find themselves hunted by their charges. Watch trailers & learn more. 7.4/10 is the best IMDB score I've seen for a horror movie in ages. Is this worth a watch? More Let's Be Evil images. Step into a virtual reality nightmare. Desperately in need of money to care for a sick parent, Jenny (Elizabeth Morris) takes a job supervising children at a learning center for gifted students. But when she and two other new employees are ushered into a maximum-security underground bunker where eerily robotic children are outfitted with augmented reality glasses, Jenny finds herself thrust into a disturbing technological experiment in which she is an unwitting player in a terrifying virtual game. This future shock brain-bender is a creepy kids thriller for our tech-addicted culture. The premise to Martin Owen’s Let’s Be Evil feels akin to that of which lay the foundations for TV series Black Mirror, as though an idea that slipped through the net. Naturally, any such comparisons represent high-praise for this resourceful endeavour, and conceptually that’s the case – but its within the hackneyed execution that lets this feature down, not delivered with quite the same, indelible edge that enriches the Charlie Brooker series. Elizabeth Morris plays Jenny, in need of cash and so signs up to take part in a chaperone programme, supervising gifted young children at an elusive, underground facility where the students are taught about augmented reality. Jenny is joined by new colleagues Tiggs (Kara Tointon) and Darby (Elliot James Langridge), and while the guardians believe they’re on hand to assist the next generation on how to utilise AR glasses, they too are under instruction by an AI named Arial (Jamie Bernadette) to wear a pair themselves, at all times – with their warped perception of reality distracting them from what is truly going on around them. When building a world and requiring it’s one that audiences can adjust to, and eventually invest in, it naturally requires a subtle sense of explanation, so we understand the rules of the landscape we are inhabiting – and Owen’s feature is somewhat contrived in that respect, spoon-feeding the viewer, in a film that takes a long time to get going. It’s a shame as when we reach the pay-off everything seamlessly comes together, it just takes a little while to get there. The film’s primary selling point is to adopt the perspective of the protagonists and use a POV camera – and while this enhances the immersive nature of the experience, it also feels like too much of a gimmick, implemented at times when a more traditionalist approach would be beneficial to the narrative, particularly when it comes to forming a bond with Jenny, who can be harder to invest in when seeing through her eyes rather than looking into them. The visual experience is striking, however, again placing the viewer in the heart of the action, with a vibrant aesthetic, with red a dominant colour. It’s one of many creative elements that Owen expresses, certainly showing off his ingenuity as a filmmaker. Similarly to recent low-budget sci-fi The Call Up, we have a film satirising our relationship with technology, and blurring the line between reality and fiction – and showing, sometimes, how little there is in between. And also similarly to The Call Up – here is a film that is deserving of praise for its ambition, particularly on its modest resources – and yet too flawed a piece of cinema to earnestly recommend.
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The problem: I hate shopping. So I turned to four clothing subscription box services whose ads punctuated my social media feeds: StitchFix, Le Tote, MM.LaFleur and Trunk Club. These services promise a boxful of clothes, sized and styled perfectly to your specifications, delivered to your doorstep for either a monthly or a per-delivery fee ranging from $20 per shipment to $59 per month (plus the cost of clothes). I fired up my computer and filled out the services’ style questionnaires or, in the case of Trunk Club, messaged an actual person, with my many specifications. StitchFix, Le Tote and MM.LaFleur’s questionnaires took 10 to 15 minutes to complete. Trunk Club’s chat with a real stylist took a bit longer. William, my stylist, asked me about my preferred inseam length, how I style the clothes I have, and how I like my tops to fit. From each service, I requested items only in black, grey, ivory or white, pink, red, and, an occasional blue, and items that worked with the rest of my “work uniform,” which includes black pants, flats and a blazer or cardigan or a dress, flats and a blazer or cardigan. Here’s what happened. StitchFix, the most widely-known of these services, offered a nice range of products in each shipment, but its offerings were a little trendy for me, even after I asked for more “conservative” items of my stylist. The colorblock dress they sent me was far too short for the office; the open drape cardigan, far too casual. Of all the items in my shipments — I tried this service more than once — I kept three: a black French terry blazer by Tart ($128), a black and white silk Henley blouse by 41 Hawthorne ($88) and a black and white hi-lo top by French Connection ($88), all of which have found steady rotation in my wardrobe. I am still a Stitch Fix subscriber, but I do not have another “Fix” scheduled. Some items Pooja kept from StitchFix. How it works: You receive five items for a $20 styling fee that is credited toward your purchase. The average item is $55, but you can specify your ideal price range for items in various categories. Stitch Fix offerings are decent in quality. Many pieces are polyester. You have three days to decide what to keep and what to return. You receive 25% discount off of your entire purchase if you purchase all five pieces. Le Tote is a closet rental service, that also allows monthly subscribers to purchase items after use. Le Tote’s inventory is small, and you add items to your “closet” for your shipment, so there are no surprises in your delivery. Le Tote didn’t remove the hassle of choosing clothes, and although I did eventually purchase a heather grey rolled-cuff jacket by Noir ($68), a pleated neck top by Vince Camuto ($55) and an aqua statement necklace by Ava ($14), I cancelled my subscription within the month. The company’s proprietary algorithm just didn’t get me. Some items Pooja kept from Le Tote. How it works: For $59 per month, you receive three clothing items and two accessories per tote, and you can receive an unlimited number of totes per month. Designer products are generally 20% to 80% off retail, and quality varies from brand to brand. You are only charged for what you keep. MM.LaFleur, an independent clothing line, carries offerings for the formal workplace. Dec 11, 2017. Now, I'm not the first schlubby journalist to attempt to break into the upper echelon of D-list web celebrity. Hell, there are plenty of better-prepared and better-looking folks who've tried this without much success. Take Bloomberg's Max Chafkin, who even employed the social agency Socialyte to aid his quest. Lyrics to 'I Tried' song by Bone Thugs-N-Harmony: You know nothing come easy, you gotta try real real hard, I tried hard.but I guess I gotta try ha. I really wanted to like this service — their pieces are timeless and several friends have served as brand ambassadors — but their clothing were far too overpriced for polyester, machine-washable office separates. That being said, they sent me six items that fit my specifications, their customer service was excellent and I communicated with an actual stylist! I ultimately bought a red blouse — the Didion 3.0 Top ($165) — but I overpaid for it. I am still a MM.LaFleur subscriber, but I do not have another “Bento” scheduled. Some items Pooja kept from MM.LaFleur. How it works: Your first Bento Box — dresses, separates and accessories for a week at the office — is completely free; subsequent boxes are charged a $25 styling fee credited towards your purchase. Prices range from $110 (for tops) to $595 (for dresses), but the quality is excellent. You have four days to decide what to keep. Trunk Club was acquired by Nordstrom in 2014, and the service offers the department store’s unparalleled customer service. Trunk Club gave me what I needed — workhorse workwear, including shoes, at discounted prices from Nordstrom’s inventory, such as a blue jersey midi dress by Topshop ($33), a pink ruffle hem cardigan by Hinge ($35.40) and burgundy suede ballet flats by Caslon ($53.56). When, a few weeks later, I found an item that I purchased to be defective — pewter loafers by Franco Sarto ($98.95) — Trunk Club offered a full refund, no questions asked. I am still a Trunk Club subscriber, and I will probably stick with this service. Some items Pooja kept from Trunk Club. How it works: You receive up to 10 items for a $25 styling fee —waived for Nordstrom cardholders — that is credited toward your purchase. Trunk Club advertises that most of their inventory is in the $100 to $300 range, but no single piece I was sent exceeded $100. Here, too, quality varies by brand. You are sent a preview of items in your trunk, which you can approve or amend. You have five days to decide what to keep and what to return. Bottom line: Ultimately, I liked Trunk Club the best; it hit my style and budget. If I worked in a trendier workplace, I might opt for Stitch Fix — many of my friends who work in New York City media, for example, swear by Stitch Fix — and if I worked in a bank, law firm or Capitol Hill, I might opt for the more formal, more classic MM.LaFleur. I’ve told William, my Trunk Club stylist, that I would like a spring and fall “Trunk” in 2018. © 2018 Dow Jones & Company, Inc. All Rights Reserved. NEW YORK, February 2, 2009 — Sassy-fabulous Aisha Tyler lights up the stage and takes a stand in the Network Television Premiere of “Aisha Tyler is Lit: Live at the Fillmore” debuting on COMEDY CENTRAL Saturday, February 21 at 11:00 p.m. Don’t miss the lovely Aisha Tyler in her very own stand-up special, live from the Fillmore Theater in her hometown of San Francisco. She tackles such important topics as staying in shape, married life, honesty, and her drinking habits. This item: Aisha Tyler: Is Lit: Live at the Fillmore by Aisha Tyler DVD $7.19 Only 1 left in stock - order soon. Sold by Amazing Prime Express and ships from Amazon Fulfillment. Don’t take her for granted just because she’s pretty – she will cut you! Tyler got her start as a stand-up comic and has brought her trademark wit to multiple appearances on “The Tonight Show,” “Late Night with David Letterman,” “The Today Show,” “Politically Incorrect,” “Jimmy Kimmel Live,” “The Late Late Show” and more. February 2009 brings Tyler’s own hotly anticipated one-hour special to COMEDY CENTRAL, “Aisha Tyler is Lit: Live at the Fillmore.” Recorded in her hometown of San Francisco at the historic Fillmore rock venue, the special is drawing rave early reviews. Her comedic voice is edgy, honest and wonderfully refreshing, and a look at her audience reveals her broad appeal: she draws women and men, mainstreamers and urbanites and the young and old alike. Tyler will tour throughout 2009 to support the DVD, which will be available in stores and for digital download on February 24, 2009., the only all-comedy network, currently is seen in more than 95 million homes nationwide. COMEDY CENTRAL is owned by, and is a registered trademark of, Comedy Partners, a wholly-owned division of Inc.’s (NYSE: VIA and VIA.B) MTV Networks. COMEDY CENTRAL’s Internet address is. For up-to-the-minute and archival press information and photographs visit, COMEDY CENTRAL’s press web site. 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We suggest contacting them directly to have any files removed and to block anyone from being able to watch Aisha Tyler Is Lit: Live at the Fillmore. Open Road is NRMA's bi-monthly magazine that's free to all Members. We bring you the latest news on motoring issues, road safety rules, the best and most trusted and some fantastic for exploring Australia and beyond. Don't miss our round-up of the special offers, your gives you. Afoot and light-hearted I take to the open road, Healthy, free, the world before me, The long brown path before me leading wherever I choose. Song of the Open Road. Open Road history The NRMA has been working alongside governments, businesses and drivers to make motoring easier and keeping people moving since 1920. The NRMA has been providing a range of services, including our famous roadside assistance, for our members and bringing together motorists with our member-owned organisation. Part of how we do this is by giving back to our members, that's why we created The Open Road magazine more than 90 years ago. Originally called Good Roads, the magazine launched in 1921 to inform members about the NRMA's activities, road safety, information about cars and campaigns to local governments. Renamed The Open Road in 1927, the bi-monthly magazine still reflects these values today and continues to give back to the motoring community with car reviews, road rules and the work the NRMA has done campaigning for safer and better roads as well as better deals for motorists. The Open Road also collates their best money saving offers for members, of which the numbers have grown since the magazine was first published, such as car servicing, car battery replacement, mobile mechanics and cheaper driving lessons. You can also download the NRMA Open Road magazine app to read at your own leisure on your device. Little Minx Exquisite Corpse: She Walked Calmly Disappearing into the Darkness. What is a naughty little minx? Little Minx Exquisite Corpse Waffles for. Little Minx Exquisite Corpse She Walked Calmly Disappearing Into the Darkness. Title Year Status Character; Likeness: 2013: Short: Renegades: 2010: Short: Little Minx Exquisite Corpse: She Walked Calmly Disappearing Into the Darkness: 2008. Submissions for the category grew by 10% over last year The Sundance Film Festival, which runs Jan. 15-25, will screen a record 96 short films, culled from 5,632 submissions from U.S. And international filmmakers. Submissions grew by 10% over last year. The 2009 Sundance Film Festival runs January 15-25 in Park City, Salt Lake City, Ogden, and Sundance, Utah. Included in the lineup is 'Sparks,' a narrative film from actor Joseph Gordon-Levitt adapted from the work of Elmore Leonard; '575 Castro Sheet,' a doc set to the original audio-cassette recorded by Harvey Milk in November 1977, from gay cinema expert Jenni Olsen; 'Hot Dog,' a new film from famed animator Bill Plympton; and 'Joel Stein's Unfabricated Adventures,' an animated visit to a waste treatment plant in Orange County from director Walter Robot and journalist Joel Stein. Short films will screen prior to the fest's feature films or as part of one of its eight short-film programs. The 2009 Short Film Program Awards Ceremony will be held on Jan 20. A complete list is on the next page. SHORT FILMS U.S. Dramatic Shorts Abbie Cancelled (Directors: Dumb Bunny) -- Two couples who have never met find themselves engaged in an awkward dinner after their mutual friends cancel at the last second. Acting for the Camera (Director: Justin Nowell; Screenwriter: Thomas Nowell) -- An acting class. Today's scene: the orgasm from 'When Harry Met Sally.' Asshole (Director: Chadd Harbold; Screenwriter: Bryan Gaynor) -- Vincent Allen goes to the doctor for a diagnosis. The diagnosis: he's an asshole. Boutonniere (Director: Coley Sohn) -- A dark comedy revolving around a simple teenage girl's attempts to survive her overbearing mother's exuberant plans for a prom she'd rather not attend. Choices (Director: Rashaad Ernesto Green) -- Explores a young man's thought process as he makes love to his girlfriend. Concerto (Director: Filippo Conz; Screenwriter: Jon Haller) -- A drama about the lengths men will go to find a moment of grace in a violent world. Copper On The Chopping Block (Director: Kai Orion) -- Tormented by the cultural reality he finds himself in, Yalmer plots revenge upon a close relative. Countertransference (Director: Madeleine Olnek;Screenwriters: Madeleine Olnek and Cast) -- A comedy about an awkward woman with assertiveness problems who seeks the questionable help of a therapist. The Dirty Ones (Director: Brent Stewart) -- Two Mennonite sisters are traveling throughout Southern states with the body of their dead grandmother lying in the trunk bed. HUG (Director: Khary Jones) -- Drew is a musician with a contract ready to sign. When Asa, his friend and manager, realizes Drew is off his meds the across-town drive to sign the contract becomes significantly more complicated. Knife Point (Director: Carlo Mirabella-Davis) -- An evangelical family passing through upstate New York gives a ride to an unusual traveling knife salesman. Little Canyon (Director: Olivia Silver) -- Greta's dad is moving the family cross-country. Promising a California paradise he packs half the household into a dented station wagon. All that's missing is Mom. Little Minx Exquisite Corpse: Rope A Dope (Director: Laurent Briet) -- Alana, a 10-year-old bad-ass little girl goes head to head with a professional boxer in a jump rope contest. Little Minx Exquisite Corpse: She Walked Calmly Disappearing Into The Darkness (Director: Malik Hassan Sayeed) -- A young man tries to sort out what has happened during the chaos of a street side shooting. The Nature Between Us (Director: William Campbell; Screenwriter: Trey Hock) -- Radical dudes, mega babes and a secret crush stumble into a neon-drenched universal oneness. Nobody Knows You, Nobody Gives a Damn (Director: Lee Stratford; Screenwriter: Rebecca Thomas) -- A young mother struggling with post-partum depression inadvertently connects with her infant child through attempts to sort out her sexual relationships. Our Neck Of The Woods (Director: Rob Connolly) -- Bob Underwood's mundane life manufacturing plastic lawn-ornament deer is disrupted by an enchanting Georgian (the country) refugee whom Bob decides to rescue--whether she needs it or not. Pencil Face (Director: Christian Simmons) -- A young girl makes friends with an unlikely being able to bring her dreams to life. But behind his smile lurks something unsettling. Sparks (Director: Joseph Gordon-Levitt) -- The story of a former rock and roll goddess who may or may not have burnt her house down. Adapted from the writings of crime novelist Elmore Leonard. Predisposed (Director: Philip Dorling; Screenwriters: Philip Dorling, Ryan Nyswaner) -- A conservative son is pulled into the messy mission of helping his manipulative drug addicted mother score. In working together they realize they're not so different, and that some personal qualities are deeply embedded in our genes. Protect You + Me (Director: Brady Corbet) -- A reminder of a long-forgotten event, combined with a challenging situation, provokes a man to extreme action. Rite (Director: Alicia Conway) -- A young girl faces an unsettling ritual. Short Term 12 (Director: Destin Daniel Cretton) -- A film about kids and the grown-ups who hit them. Small Collection (Director: Jeremiah Crowell) -- A love story caught in the corridors of memory. Through fragments of conversations still echoing in now empty places, we piece together the record of a relationship cut short. Trece Anos (Director: Topaz Adizes) -- A young man returns home to his family in Cuba for the first time in 13 years experiencing a divide greater than physical distance. Wunderkammer (Director: Andrea Pallaoro; Screenwriters: Andrea Pallaoro and Orlando Tirado) -- An exploration of the dynamics of the co-dependent relationship between an aging woman and her mentally challenged son. The Young and Evil (Director: Julian Breece) -- A highly intelligent but troubled gay black teenager sets out to seduce an HIV-positive prevention advocate into giving him the virus. Documentary Shorts 575 Castro St. (Director: Jenni Olson) -- Set to the original audio-cassette recorded by Harvey Milk in November 1977 to be played, 'in the event of my death by assassination'. The Archive (Director: Sean Dunne) -- An eight-minute documentary about the world's largest vinyl record collection examining the man who owns them and the current state of the American record industry. Chop Off (Director: M.M. Serra) -- An exposition of the dark, fearful recesses of the human psyche by filming the body modification of performance artist R.K. Who literally risks 'life and limb.' S body is his medium and amputation is his art. Good: Atomic Alert (Director: Max Joseph) -- An examination of nuclear arms asking; who has them, what are their intentions, and what would happen if a nuclear weapon hit New York City? Good: Internet Censorship (Directors: Morgan Currie, Lindsay Utz, James Jones; Screenwriter: Mattathias Schwartz) -- Internet censorship can take many forms, from restricting private internet access to blocking searches for politically volatile keywords. This film explores how different countries apply their bodies of censorship to cyberspace. I Knew It Was You (Director: Richard Shepard) -- John Cazale appeared in just five films -- The Godfather, The Conversation, The Godfather, Part Two, Dog Day Afternoon, and The Deer Hunter -- and all were nominated for Best Picture. This documentary is a fresh portrait of the acting craft and a tour through the movies that defined a generation. The Kinda Sutra (Director: Jessica Yu) -- A combination of interview and animation, that explores the youthful misconceptions of a spectrum of people over the universal question: How are babies made? So the Wind Won't Blow it All Away (Director: Annie P. Waldman) -- Two and a half years after Hurricane Katrina, desiring to graduate high school with their friends, a group of students return to New Orleans despite their parents' relocation and absence. Sister Wife (Director: Jill Orschel; Screenwriters: Alexandra Fuller, Jill Orschel) -- DoriAnn, a Mormon Fundamentalist, shares a husband with her younger biological sister. During a private bathing ritual, DoriAnn explores the surprisingly universal challenges of her marriage. SUSPENDED (Director: Kimi Takesue) -- The film both documents and re-contextualizes the experience and perception of suspended time capturing a range of evocative moments that reveal states of emotional and physical suspension. Utopia, Part 3: The World's Largest Shopping Mall (Directors: Sam Green, Carrie Lozano) -- A tour of the world's largest shopping mall, located near Guangzhou, China. Built three years ago, the South China Mall was supposed to be a celebration of consumerism and Vegas-like spectacle. Animated Shorts Dear Beautiful (Director: Roland Becerra; Screenwriters: Roland Becerra, Meredith DiMenna) -- The sudden appearance of exotic flowers in New Haven spawns an unprecedented epidemic that threatens to destroy the city. Paul and Lauren, a married couple, are caught between the catastrophe and their own troubled relationship. Field Notes From Dimension X: Oasis (Director: Carson Mell) -- Captain Fred T. Rogard muses in isolation on planet Oasis. From Burger It Came (Director: Dominic Bisignano) -- An animated film that recounts early 1980s-era Cold War fears of a young boy in middle America. Using a variety of techniques, the visual narrative is colorfully assembled over semi-documentary audio conversations between a grown adult recounting his fears and his mother's memory of the time and her own concerns. Hot Dog (Director: Bill Plympton) -- Our plucky hero joins the fire company to save the world from house fires and gain the affection he so richly deserves. Typically, the results never turn out the way he planned. I Am So Proud Of You (Director: Don Hertzfeldt) -- Dark family secrets cast a shadow over Bill's recovery; in this second chapter to Don Hertzfeldt's 'Everything will be OK'. (Winner of the 2007 Sundance Film Festival Short Film Grand Jury Prize, U.S.). I Live In The Woods (Director: Max Winston) -- A Woodsman's fast-paced journey, fueled by happiness, slaughter, and a confrontation with America's God. Joel Stein's Completely Unfabricated Adventures (Director: Walter Robot; Screenwriter: Joel Stein) -- Journalist Joel Stein takes us on an animated adventure through the waste treatment plant of Orange County. Western Spaghetti (Director: PES) -- Everyday objects become delicious ingredients as we learn how to cook spaghetti through stop-motion. The Yellow Bird (Director: Tom Schroeder; Screenwriter: Jay Orff) -- The animated journey of a young man fleeing the draft during World War I. After taking a job on a cattle ranch in eastern Montana an accident occurs causing him to reflect back on his life as he seeks medical attention in a nearby town. INTERNATIONAL SHORT FILMS International Dramatic Shorts 2 Birds/Iceland (Director and Screenwriter: Runar Runarsson) -- A group of young teenagers embark on a journey from innocence to the stark reality of adulthood. 2) Secret Machine/Germany (Director: Reynold Reynolds) -- 2) Secret Machine is the second from a three-part cycle exploring the unperceivable conditions that frame life using stop motion animation to portray the futuristic deconstruction of the female protagonist's form. (Director: Martina Amati; Screenwriters: Martina Amati and Dario Cane) -- Andrea and Felice are two kids whose lives center on the sea. One day during a fishing excursion their usual routine is disturbed when something unexpected appears from the water. The attack of the robots from Nebula-5/Spain (Director: Chema Garcia Ibarra) -- 'Almost' everybody is going to die very soon. BAIT/Israel (Director: Michal Vinik) -- On a hot summer day, tomboy teenager Nitzan is on her way fishing. Will she catch the right fish? The Blindness of the Woods/Argentina (Directors and Screenwriters: Martin Jalfen, Javier Lourenco) -- A narrative that combines the naive simplicity of fairytales with the Nordic erotic movies from the 1970s. Captain Coulier (Space Explorer)/Canada (Director and Screenwriter: Lyndon Casey) -- An aloof space captain becomes restless amongst his robotic crew. Maybe intergalactic space travel isn't his shtick. Crocodiles and I/Brazil (Director and Screenwriter: Marcela Arantes) -- The emotional conflicts and discovery typical of adolescence are expressed in Rachel's daily life and dreams. Instead of Abracadabra/Sweden (Director and Screenwriter: Patrik Eklund)– -- Tomas is a little bit too old to still be living with his parents, but his dream of becoming a magician leaves him with no other option. James/Northern Ireland (Director: Connor Clements) -- A young Irish man grapples with the impulses and thoughts about being gay. Jerrycan/Australia (Director and Screenwriter: Julius Avery) -- While attending a party, five bored kids decide to blow something up. A childhood game seals the fate of Nathan, who risks everything after he is bullied, and is forced to make a life and death decision. Love You More/U.K. (Director: Sam Taylor-Wood; Screenwriter: Patrick Marber) -- Two teenagers are drawn together by the Buzzcocks' single 'Love You More' during the summer of 1978. Miracle Fish/Australia (Director: Luke Doolan) -- A young outcast finds solitude in a fantasy world only to be brought back to reality when faced with a psychotic man. Orth Americairector and Screenwriter: Julius Avery)creenwriter: Blake Brooker) Omelette/Bulgaria (Director: Nadejda Koseva; Screenwriter: Georgi Gospodinov) -- While a woman makes an omelette we learn how difficult it is to make ends meet. PAL/SECAM/Russian Federation (Director and Screenwriter: Dmitry Povolotsky) -- At the dawn of Perestroika, little Boris, ravaged by hormones, seduces the neighborhood with his mother's VCR. A Mate/Finland (Director: Teemu Nikki; Screenwriters: Teemu Nikki and Jani Poso) -- Pera wants to try something kinky in the bathroom and he asks his straight mate to help him. However, Pera's wife comes home a bit too soon. Netherland Dwarf/Australia (Director and Screenwriter: David Michod) -- Harry really wants a rabbit. Harry's dad really wants his wife back. And somehow in the middle of all this wanting, they both seem to have forgotten that they already have each other. Next Floor/Canada (Director: Denis Villeneuve; Screenwriter: Jacques Davidts) -- During an opulent and luxurious banquet, complete with hordes of servers and valets, eleven pampered guests participate in what appears to be ritualistic gastronomic carnage. The Stronger/U.K. (Director: Lia Williams) -- Who is stronger? The wife or the mistress? Ten For Grandpa/Canada/USA (Director and Screenwriter: Doug Karr) -- An introspective look at the enigmatic life of an influential ancestor that pushes an individual to immerse himself in a nefarious web of danger and infamy. This is Her/New Zealand (Director: Katie Wolfe; Screenwriter: Kate McDermott) -- As she watches her younger self in the throes of childbirth, Evie's deliciously wry commentary reveals exactly what life has in store for her new baby daughter, her loving husband, and the six-year-old 'bitch' who will one day steal his affections and destroy Evie's life. Treevenge/Canada (Director: Jason Eisener; Screenwriter: Rob Cotterill) -- Sometimes Christmas is worth crying over. The Watch/Argentina (Director: Marco Berger) -- Two young men find a surprise connection during an impromptu sleepover. Wet Season/Singapore (Director and Screenwriter: Michael Tay) -- Utilizing stop-motion animation, the production pays tribute to the filmmaker's real-life father who passed away six years ago. International Documentary Shorts China's Wild West/U.K. (Director: Urszula Pontikos) -- This part observational, part impressionistic study of a day in the life of a Muslim community, illustrates their hopeful efforts to discover jade in the harsh conditions of a dried-up riverbed in a remote town on the Silk Road in Western China. Lessons from the Night/Australia (Director and Screenwriter: Adrian Francis) -- As dusk approaches and workers stream out of the city, Maia is about to begin her day. She reflects on life, work and toilet bowls as she goes about her nightly cleaning round through silent, empty spaces. (Directors: Finlay Pretsell, Adrian McDowall) -- Bench pressing isn't a hobby for 73-year-old Bill McFadyen - it's a way of life, and he is on a quest to be the best in the world Magnetic Movie/U.K. (Directors: Semiconductor: Ruth Jarman + Joe Gerhardt) -- Natural magnetic fields are revealed as chaotic ever-changing geometries, as scientists from NASA's space sciences laboratory excitedly describe their discoveries. My Surfing Lucifer/Switzerland (Director: Kenneth Anger) -- Using found footage, we're introduced to the short life of Bunker Spreckels, Clark Gable's stepson and surfing legend. The Real Place/Canada (Director: Cam Christiansen; Screenwriter: Blake Brooker) -- An animated poetic film celebrating the life and spirit of playwright and librettist John Murrell. Steel Homes/U.K. (Director: Eva Weber) -- Self-storage units are windows into human histories: the silent cells with their discarded objects and dust-covered furniture are inscribed with past dreams, secret hopes and of lives we cannot let go. International Animated Shorts Cattle Call/Canada (Director and Screenwriter: Matthew Rankin, Mike Maryniuk) -- A high-speed animation film documenting the art of livestock auctioneering. A Film from My Parish: 6 Farms/Ireland (Director: Tony Donoghue) -- An animated film shot on location in North Tipperary. It consists of six stories by six farmers from one parish. Hear, earth, heart/France (Director: Yi Zhou) -- A white box unfolds to reveal a surreal and shifting landscape of fragmented clouds, suns, mountains, stardust, darkness, and flames that eventually freeze in time and space. John and Karen/U.K. (Director and Screenwriter: Matthew Walker) -- John the polar bear apologizes to Karen the penguin after an argument. Keith Reynolds can't make it tonight/U.K. (Director and Screenwriter: Felix Massie) -- Keith Reynolds leaves his hat in his car. This isn't the only mistake he makes today. Lies/Sweden (Director: Jonas Odell) -- Three perfectly true stories about lying. In three episodes based on documentary interviews we meet the burglar who, when found out, claims to be a moonlighting accountant, the boy who finds himself lying and confessing to a crime he didn't commit and the woman whose whole life has been a chain of lies. Mister Cok/France (Director and Screenwriter: Franck Dion) -- Mister Cok is the owner of a large bomb factory. Looking for efficiency and profit, he decides to replace his workers by sophisticated robots; however one of the workers does not accept being discarded so easily. Out of Control/Mexico (Director: Sofia Carrillo) -- Remote and alone, various personalities share feelings of solitude in the interior of a labyrinthine house. Skhizein/France (Director: Jeremy Clapin; Screenwriters: Jeremy Clapin and Stephane Piera) -- Having been struck by a 150-ton meteorite, Henry has to adapt to living precisely ninety-one centimeters from himself. This Way Up/U.K. (Directors: Adam Foulkes, Alan Smith; Screenwriters: Adam Foulkes, Alan Smith, Christopher O'Reilly) -- Laying the dead to rest has never been so much trouble. New Frontier Shorts All Through the Night/USA (Director: Michael Robinson) -- A charred visitation with an icy language of control: 'there is no room for love'. Splinters of Nordic fairytales and ecological disaster films are ground down into a shimmering prism of contradictions in this hopeful container for hopelessness. American Minor/USA (Director: Charlie White) -- A filmic meditation on the isolated world of an American teen, focusing on the external environment and internal state of a 14-year-old, upper-middle class girl. The Beekeepers/USA (Director: Richard Robinson) -- An experimental documentary on the environmental crisis surrounding Beekeeping and Colony Collapse Disorder. It explores this ancient profession in its current crisis and the implications for our environment when millions of bees just disappear. Horizontal Boundaries/USA (Director: Pat O'Neil) -- A film that looks at certain aspects of the geography of California as the ground for cinematic disruption and restatement. It is not a static repositioning, but rather a dynamic one, moving more or less randomly, causing image combinations to be generated unpredictably. Nightstill/Austria (Director-screenwriter: Elke Groen) -- Night images captured with time lapse photography. Out of Our Minds/USA (Director: Tony Stone) -- A fantasy world spawned from sound. Three time periods and three narratives, one connection–blood. At the center of this life force is the heart. Theresa's Story/U.K. (Director: Maria Marshall) -- Side-by-side only two takes of the same incomprehensible emotional improvised story unedited depicting four-year-old Jake Marshall Naef's world before finally Jake addresses the viewer directly. Untitled/USA (Directors: Sandra Lea Gibson and Luis Recoder) -- A black and white film suggestive of being projected behind a translucent window frame while giving the illusion it is hovering somewhere between the screen and the viewer. A distributive film series created by IDEALOGUE for Little Minx based on the surrealist parlour game: The Exquisite Corpse. The Little Minx Exquisite Corpse features directors Laurent Briet, Chris Nelson, Malik Hassan Sayeed, Josh Miller, Phillip Van & Josh Miller. Rules of the Game: Each director responds to the last line of text of the previous directors script to create a connected film narrative. Little Minx Exquisite Corpse is an extraordinary meeting ground of chance. Release on Little Minx.TV the series generated over 4 million views and went on to become a Short Film Select at Tribeca Film Festival, Cine Vegas, & Sundance Film Festival. • • • Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. This film article needs cleanup. Please review Wikiquote:Templates, especially the standard format of film articles, to determine how to edit this article to conform to a higher standard of article quality. You should also check this article's talk page to see if the person who added this message left an explanation there. Bob Odenkirk's jail comedy Let's Go to Prison!, stars Will Arnett as Nelson Biederman IV, the son of a judge who ends up being sentenced to serve time in Rossmore. Bob Odenkirk's jail comedy Let's Go to Prison!, stars Will Arnett as Nelson Biederman IV, the son of a judge who ends up being sentenced to serve time in Rossmore State Penitentiary. During one of his rare stints out of incarceration, career criminal John Lyshitski (Dax Shepard) learns of the conviction. Here’s what they had to say about it in a very personal email interview IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator? Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms. IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar? Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts. IFC: What was the genesis of Celebrity All-Star? Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling. IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration? Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan). IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both? Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug. IFC: Who are your comedy idols? Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY- Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. IFC: What’s your favorite moment from the film? Sisters Weekend: I meanseeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great. This article needs. Please review, especially the, to determine this article to conform to a of article quality. You should also check this article's to see if the person who added this message left an explanation there. This page has been listed as needing cleanup since. Is a 2006 American that was released in theaters on November 17, 2006. It stars, and and was directed. The movie was loosely based on the non-fiction book,. Filming took place at the dunfuct in. The same prison theme song is featured in the beginning of and the first season of the show. Quotes [ ] Barry: Prepare to be woo-ed, by the master. John: Under all the swastikas, he's a real prick. John: We should be cellmates. I don't snore, and I'm a quiet masturbator. Hell, I'll even give you the top bunk. Nelson: It's okay to cry. Crying takes the sad out of you. Nelson: [ long silence] So now what do we do? [ pause] John: What do you mean? Nelson: What do I mean? I mean, what are we. What are we supposed to *do*? John: We're doing it, man. We're right in the thick of the action. We hang out here, go to lunch, come back, hang out some more, go to dinner. You know how someone might describe a situation that's unpleasant or confining as being, 'like a prison'? Nelson: [ pause] Yeah. John: This is what they were referring to. Barry: [ flirting] Of all the bathroom stalls, in all the correction facilities in all the world, he walks into mine. Nelson: [ extremely uncomfortable] Haven't you heard the news, Barry? Barry: The news? Barry finally pitches, Pisces catches, home team wins. [ after the jury have watched a tape of Nelson robbing the drug store] Eva: Mr. Duane: Oh, yeah? Eva: You may proceed with your defense. Duane: [ whispering to Nelson] Watch this. [ Duane walks up to the jury] Duane: Ladies and gentlemen of the jury. You've all seen, and yet you are aware that has never actually been attacked by dinosaurs. Even through you've seen it with your own eyes, on a TV not unlike that one. [ Duane points dramatically at the television] Duane: I rest my case! [ Nelson looks confused and shocked] John: Bwahahah! [ some of the prisoners try to grab Nelson in the shower, but John comes to his rescue] John: Hey! He is my property, you dick monster! You got that? [ pushes the one standing closest] John: This little philly is all mine! You can look, but not touch! This little asshole only got one name on it! Romeo Lyshitski! No rear entry! [ spanks Nelson in the butt and points at Barry] John: That goes for you! [ Barry walks off] John: That big bastard is the head of the Black G-Lords. [ Nelson is stiff as a board] Nelson: I don't mean to sound ungrateful, John. But did you have to stick your finger up my ass? John: Nope, probably not. But it happened. [ dosen't remove his hand before now] John: If I had a nickel for every time I've been incarcerated. I'd have $0.15. John: Same Lyshitski, different day. Barry: Would you like some Merlot? I make it in the toilet! [ Nelson shaking with fear] John: Our justice system sucks. You know, there are over 2,000,000 Americans behind bars. That's a little larger than the population of Houston. Every year, there are enough children born in prison to fill 250 Little League teams and enough people are raped in prison to fill a stadium more than three times. Can you picture that? Three stadiums full of people raping each other? I know I can. Cast [ ] • as John • as Nelson • as Barry • as Shanahan • as Warden • as Lynard • as Judge Biederman • as Duane • as John - 18 years • as wine tester External links [ ]. Canadian horror filmmaker ('Cube,' ') is at his best when he's turning his stories into mazes. He is, in that sense, a descendant of another Canuck scare-meister:. Like Cronenberg, Natali treats his characters like test subjects with unique maladies/characteristics. In fact, Natali likes the symptomatic circumstances that define his characters so much that they're often under-developed—defined by whatever 'Twilight Zone'-esque dilemma they're facing. This is true of 'Haunter,' a haunted house movie adapted by Matthew from his novel. In 'Haunter,' Lisa (' star ), an angsty teen, relives the same day over and over again. 'Haunter' is like ' meets 'The Lovely Bones:' while Bill Murray's Phil Connors repeated a single day so he could better appreciate his life, Lisa does the same thing because she's a ghost. Flavour Text: Diamond: It can slip through any obstacle. It lurks inside walls to keep an eye on its foes. Pearl It licks with its gaseous tongue to steal the victim. View strategies and more for Haunter on the Smogon Strategy Pokedex. 'Haunter' has a solid setup, but the further Natali and King coax you into their labyrinth, the harder it becomes to appreciate what initially made their film so promising. Because it is a movie-shaped maze—King acknowledges this in a leaden line of dialogue that compares Lisa's house to Pac-Man's maze—the best part of 'Haunter' is the beginning. Eight minutes into the film, Lisa tells her parents what she thinks is happening to her: she's reliving the day before her 16th birthday on a loop. Lisa's parents understandably think she's joking, and ignore her. But soon, little details of Lisa's day start to change, like when her father Bruce () suddenly takes up smoking after dinner. So Lisa tries to break her routine up in order to understand what's happening to her. But she soon learns that she's reliving the day before she was murdered, and her killer ('Pontypool's ) is about to strike again. Before King explains why what's happening is happening, 'Haunter' is exceptionally atmospheric. Its scenario plays to Natali's strengths in that its first two-thirds keep you guessing what will happen next. You want to know what's behind that little door, what's under the floorboards, and where those missing clothes got to. Both 'Cube' and 'Elevated,' the latter of which is a short film set almost entirely in an elevator, proved that Natali knew how to make tense B-movies. 'Haunter' mostly follows in that tradition. And for a while, Natali and King do a good job of distributing breadcrumbs to viewers whenever they need to. It's a sign of how good 'Haunter' initially is that you always want to skip ahead, and know more than they're telling you. But once 'Haunter's story snaps into focus, and its creators pull you towards its inevitable conclusion, the film's flaws become that much more apparent. For example, 'Haunter' is eventually about Lisa's struggle to understand and get free of her past. But since so much of the film's plot is about Lisa's varied attempts at breaking her routine, neither she nor her family members are developed beyond a point. Natali and King don't take enough time to show us who Lisa is. All we know is she wants to find out what's going on as much as we do. The problem with that is 'Haunter,' like many horror films, is essentially a moral tale. Lisa learns more about her predicament by paying more attention to her family, and their respective routines. But beyond some clipped discussions with her kid brother Robbie (), and her mom Carol (), there's not much meat on 'Haunter's bones. It's accordingly kind of sad to see a young performer as talented as Breslin wandering around without much to do. Breslin is probably not strong enough to carry an entire film, but the material she's given to work with just doesn't hold together in the end. Lisa eventually has to stop being a cypher, and unfortunately, she never does. Picket Crowd Member (uncredited) Produced. Executive producer (as Gary Adelman). Executive producer (as Jaylaan Llewellyn). Associate producer. Associate producer. Co-executive producer (as Andrew Greenblatt). Executive producer. The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality. Executive producer. Associate producer. Executive producer (as Michael Morrison). Line producer. Executive producer. Associate producer (uncredited) Music by Cinematography. Director of photography Film Editing by Production Design by Art Direction by Set Decoration by Costume Design by Makeup Department. Additional hair stylist (as Morgan Chalfont) / additional makeup artist (as Morgan Chalfont). Key hair stylist (as Blair M. Jeffer) / key makeup artist (as Blair M. Assistant hair stylist / assistant makeup artist: France. Additional hair stylist / additional makeup artist Second Unit Director or Assistant Director. Second second assistant director. Second assistant director. First assistant director Art Department. Additional artwork (as Melissa Batlett). Additional artwork. Artwork (as Helen Garber). Additional artwork. Additional artwork Sound Department. Audio post coordinator. Sound designer. Additional boom operator. Foley engineer. Additional sound design. Dialogue editor / re-recording mixer. Boom operator (as Philip Rosati). Additional adr engineer. Foley artist. Supervising sound re-recording mixer. M&e mixer (uncredited) Visual Effects. Digital imaging supervisor: DIVE (as Marko Forker). Visual effects artist: DIVE. Opening titles: DIVE. Engineering: DIVE. Dustbust and grain reduction: DIVE Camera and Electrical Department. Additional grip. Additional grip. Additional grip. First assistant camera (as Kate Butler). Additional best boy grip. Second assistant camera. Best boy electric. Additional electrician. Cinematographer: second unit / lighting designer / still photographer. Company grip. Additional camera loader. Camera assistant (as James P. Additional grip. Best boy electric. Additional electrician. Company grip (as Ben Kitchens). Additional first assistant camera. Additional first assistant camera. Best boy grip (as Nic Reader). Camera operator (as Ben Semanoff). Additional grip. Additional electrician. Additional grip (uncredited). Steadicam operator (uncredited) Casting Department. Casting (uncredited) Costume and Wardrobe Department. Costume support. Wardrobe supervisor (as Jamie Cockerham). Assistant costume designer. Costume support. Additional wardrobe costumer. Additional wardrobe costumer. Wardrobe supervisor. Costume support. Costume support Editorial Department. Digital color timer. Senior conforming editor. Negative scanning. Dailies telecine. Post-production coordinator. Post-production coordinator. Assistant editor / post-production coordinator. Digital intermediate production manager. Conforming editor. Digital intermediate supervisor Location Management. Location assistant. Additional location manager (as Edward Eberwine). Location assistant. Location manager. Assistant location manager. Location assistant Music Department. Music supervisor Transportation Department. Vehicle build-out. Driver (as Tim Soltys). Driver Other crew. Additional production assistant. Production coordinator (as Michele Boissiere). Additional production assistant. Key set production assistant. Security director. Additional production assistant. Assistant production coordinator. Additional production assistant. Epk (as Caitlin Davis). Assistant to director. Financial manager (as Mike Destro). Production assistant. Production assistant (as Christopher Gormley). Office production assistant. Additional production assistant. Additional production assistant. Production assistant. Production secretary (as Elizabeth Murtha). Security director. Additional production assistant. Additional production assistant. Office production assistant. Travel agent. Craft service. Assistant: Nicholas Kalikow. Script supervisor (as Charlie Rowe). Production assistant. Craft service. Additional production assistant (as Kathryn Stewart). Key set production assistant (as Sean Sullivan). Additional production assistant. Security director. Catering assistant. Publicist (uncredited). Assistant production coordinator (uncredited). Production staff (uncredited). Production consultant (uncredited). Production assistant (uncredited) Thanks. Special thanks. Special thanks. Special thanks. Special thanks. Special thanks. Special thanks. Thanks (as John Kent). Special thanks. Special thanks. Special thanks. Special thanks. Special thanks. Paul Dano and Rosario Dawson in 'Explicit Ills.' Credit Peace Arch Releasing For much of its 87 minutes, an episodic movie about a number of Philadelphians living, working and often struggling in the same neighborhood, appears to move from life to life without particular reason. Its first-time writer and director,, doesn’t immediately reveal the story’s structure or his intentions: he simply places you among some dozen characters — children and young adults of different colors and with differing economic contexts — without introduction. A young boy buys a soda in one scene, an older boy explains the benefits of a vegan diet in another; one man sells pot while another sells colonics. These are a few of the souls finding and losing themselves in a neighborhood in uneasy transition alongside a bohemian wife (Naomie Harris) who steals puffs off blunts in between poses and a poor mother (Rosario Dawson) trying to care for her asthmatic son. In time, themes (financial distress, self-medication, existential isolation) emerge from their lives, and seemingly casual moments begin to take larger shape, much as the dots in a pointillist painting do as you step back from the canvas. Though some of his visual choices can seem arbitrary (the long shots tend to feel more like art-cinema tics than formally organic), Mr. Webber, working with the talented cinematographer Patrice Lucien Cochet, persuasively transforms a group of portraits into a group portrait. As the story’s design and Mr. Webber’s intentions come into focus, it becomes evident that this is yet another of those multistranded narratives that have come into vogue again. In some recent films of this type, most of which come with a veneer of politics and invariably embrace humanism, the characters are connected by a gun (), ethnic and racial tensions () and immigration (). Yet what binds them isn’t just that they’re all hurting human beings joined by their common pain, but that the filmmaker also wants you to know that they’re all hurting human beings and he feels their pain. Webber at least offers a solution, as evidenced by a man who spray-paints the word “revolt” in letters so large they fill the entire frame. Even so, no matter how ostensibly profound their differences, the characters in all these movies end up hoisting the exact same banner for the filmmaker. In the case of “Explicit Ills,” this banner-carrying becomes literalized when the characters take to the streets in the final scene during an organized demonstration, a neighborhood of atomized individuals transformed into a coalition of the righteous and united on behalf of medical care, housing and peace. It’s a beautiful message: surely there’s no arguing with “Hey, hey, ho, ho, poverty has got to go!” But there is much to argue with, and much to regret, about a film whose director thinks he needs to drop an anvil on our heads when art would suffice. Advertisement “Explicit Ills” is rated R (Under 17 requires accompanying parent or adult guardian). Physical violence, recreational drug use and some health-care horror. EXPLICIT ILLS Opens on Friday in Manhattan. Written and directed by; director of photography, Patrice Lucien Cochet; edited by Jay Rabinowitz; music by Khari Mateen; production designer, Michael Grasley; produced by Mr. Webber, Liz Destro and Sol Tryon; released by Peace Arch Entertainment. At the Angelika Film Center, Mercer and Houston Streets, Greenwich Village. Running time: 1 hour 27 minutes. The Big Christmas Trade Show THE BIG CHRISTMAS FARMERS MARKET & TRADE SHOW IS SET TO GO! Plenty of Christmas Spirit to come at Exhibition Park! Lethbridge, Alberta – The BIG CHRISTMAS Trade Show and Farmers’ Market is coming Friday, December 1 and Saturday, December 2 to Exhibition Park. For big gift ideas and a big selection of holiday baking – come to the BIG Christmas Farmer’s Market and Craft Show at Exhibition Park. With over 150 vendors there will be plenty of activities for everyone to enjoy while shopping. Admission: -$2 -10 and under FREE Parking: Free Friday, December 1st Hours: 1:00pm – 8:00pm Saturday, December 2nd Hours: 10:00am – 5:00pm For more information, please contact: Lisa Ludwig| Event Coordinator P: 403-317-3206| E. Dec 25, 2017. As fans from all over Mariners Nation open their gifts and play with their new toys, they anxiously wait for the newest addition to their beloved. Find out more about the Hallmark Channel Original Movie 'Debbie Macomber's Trading Christmas,' starring Tom Cavanagh, Faith Ford, Gil Bellows and Gabrielle Miller. Find great deals for Christmas Trade (DVD, 2016). Shop with confidence on eBay! Medallion Leadership Society Incentives Upon completion of the requirements for Level 3 and opting into the Medallion Leadership Society you will: • • Receive a Medallion • Attend an exclusive retreat • Work with Deans and staff on Office of the Dean of Students specific programming • Support the Medallion Program workshops • Be a guest at exclusive receptions • Have professional development opportunities What is the Medallion Leadership Society? The Medallion Leadership Society is an undergraduate student group that is dedicated to leadership. The society educates their peers to realize their leadership potential and become engaged members of the campus and surrounding communities, in an effort to achieve positive social change. Members in the Society will participate in committees, have opportunities to meet with Deans, and plan leadership programs for the Office of the Dean of Students. Member Responsibilities: Members divide their time within three areas, serving as a resource to students, developing/coordinating and implementing leadership programming for students, and performing other administrative duties. Further details are provided below: • Resource: • Serve as leadership peer advocates who are available to other students for support and guidance • Act as a clearinghouse to create a network where students can be connected to leadership, service, and civic engagement resources • Offer feedback on the Office of the Dean of Students (ODOS) leadership related programs/initiatives, as well as assist with any assessment. • Assist with the promotion and advertisement of ODOS events, programs, opportunities and other offerings. This may take various forms including presentation of information. • Programming: • Facilitate skill-based workshops for individual students, student groups, and student organizations. • Participate in leadership opportunities on other campuses. • Develop, plan, and implement initiatives, programs, and activities within ODOS, which focus on leadership development and education. Examples of potential opportunities include: • Fall Leadership Training • Spring Leadership Training • Slingshot to Success • Medallion related workshops and reflections • Fraternity and Sorority Affairs trainings • Bystander Brigade • Administrative: • Attend and actively participate in Medallion Leadership Society and other related committees when needed. • Develop creative ways to enhance and market leadership. The Medallion Jewish Assisted Living Residence is located in the beautiful campus setting adjacent to Seven Acres Jewish Senior Care Services at 6262 North Braeswood. The Medallion The Medallion is the Texas Historical Commission's official quarterly magazine containing news and advice about preservation projects, Texas’ historic sites, and heritage tourism opportunities. The Medallion’s engaging photos and appealing graphics bolster the magazine's impact in Texas’ preservation community. Produced by the Public Information & Education Department, the magazine includes articles generated and written by THC staff. To receive the latest edition and join our FREE subscription list,. See the for past issues of The Medallion. |
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