More How The West Was Fun images. Nov 19, 1994 Watch trailers, read customer and critic reviews, and buy How the West Was Fun directed by Stuart Margolin for $14.99. Title: How the West Was Fun Release year: 19 Movie genres: Family; Western Director: Stuart Margolin Actors: Mary-Kate Olsen, Ashley Olsen, Martin Mull, Michele Greene, Patrick Cassidy, Ben Cardinal, Leon Pownall, Peg Phillips, Wes Tritter, Shaun Johnston, Daniel Libman, Elizabeth Olsen, Jacqueline Robbins, Joyce Robbins, Stuart Margolin Movie length: min. Watch free How the West Was Fun streaming movie online, Download How the West Was Fun full length movie. Mpavi, divx, HD versions. You can watch How the West Was Fun movie online here: I loved this movie from start to finish. How the West Was Fun film is a very good movie, that filled with much of good action. Such actors like Wes Tritter, Michele Greene, Leon Pownall, Ben Cardinal make this Family film fantastic. Conclusion, How the West Was Fun is one of the hottest film in Family style in 199 Stars like Leon Pownall, Wes Tritter, Elizabeth Olsen, Martin Mull made this amazing movie even greater. How the West Was Fun was released in 19and belongs to Family genre. Movie run time is m. Go and start watching the film rignt now. Do not hesitate to bookmark us. Eight-year-old twins Suzy (Mary-Kate Olsen) and Jessica (Ashley Olsen) live with their widowed father Stephen since the death of their mom the previous year. One day they receive a letter from their mom's Godmother Natty who wants them to come visit her at her dude ranch where their mom spent a lot of time growing up. Even though their dad has trouble at work with his callous boss, the family eventually manages to go visit Natty. But it turns out that the ranch is in trouble. The number of paying visitors has decreased and Natty might not be able to afford it much longer. The girls want to help and begin coming up with ideas. Meanwhile, Natty's grown-up son Bart pushes his elderly mother to sell the ranch for the sake of her health, but Suzy and Jessica suspect that he may have some ulterior motives.|. This movie was really cute. I watched it 2 times in a row. MK and A are soooo cute in this. The outfits they wore were adorable. I really liked the music in it. This is a perfect family film. And it is really innocent. It makes one want to go live in Colorado. Also to go horseback riding. It was soo cute with their moms diary! Even if some of the movie was unrealistic. HEY its a childish film. Its supposed to be fun and cute. I have always loved western films. And this one is a perfect film for the whole family. It reminds one of the innocent days. Its what every kid dreams of.
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Contents • • • • Dialogue [ ] [Carter and Lee are forced to fight Ricky Tan's Triad goons but Carter accidentally hits Lee] Carter: Sorry, man! Lee: [Holds nose painfully] Carter! Carter: Ah y'all look alike! Carter: Hey, baby. James Carter, Baldwin Hills. Isabella Molina: Isabella Molina, San Juan. Carter: San Juan! I've been there many times on my private plane. You must know my good friend Pedro Morales Magonzales Morotto Malosso Megusto. Isabella: No, I'm afraid not. Carter: Oh, I'm sorry, I thought you rode in the best of circles. If you need anything, champagne, caviar, my yacht is your yacht. Isabella: This is your yacht? Carter: I'm the captain. Watch Rush Hour 2 Full Movie Online. Stream Rush Hour 2 the 2001 Movie Videos, Trailers, Reviews & more. Isabella: El capitan. Carter: Look, I'm not gonna play games with you. I can imagine me and you in one of those bathrooms in about five minutes. Isabella: Oh, it's such a beautiful yacht. What's it name? Carter: Its name? [Isabella nods] The S.S. Minnow Johnson. Isabella: The S.S. Minnow Johnson? The name on the back was the Red Dragon. Carter: The Red Dragon? Isabella: Yes. Because this is my friend's yacht. And this is his party. Carter: Your's friend yacht? Man, no wonder my key didn't work. All these yachts look all the same these days. Steven Reign: Who's your friend? Isabella: Someone who got on the wrong yacht. Carter: Hey I know you, you're Steven Reign, the hotel billionaire. You must have a private plane as well. It's fun, isn't it? What are you doing out here in Hong Kong? Reign: I'm here for the weekend, taking in the sights. [looks at Isabella] Shall we? Isabella: [gets up to slow-dance with Reign] Enjoy the party, Mr. Carter: I will, Miss Isabella. Carter: Lee, let me introduce you to Carter's Theory of Criminal Investigation: follow the rich white man! Lee: Follow the rich white man? Carter: Exactly, now you're learning. Every big crime has a rich white man behind it waiting for his cut. Now, in our case we know who the rich white man is. Steven Reign! Carter: Steven Reign, the hotel billionaire, I saw him on Ricky Tan's boat. When the shooting started he was way too cool. Now lemme tell you something: when people start shooting, white people ain't that cool. They either running around hiding behind tables or screaming like, 'AAAAAAAAHHHHHH!' Lee: You sound like that all the time! Carter: Let me tell you something about black people: When stuff goes down, we keep our cool. Lee: Maybe, but not like Asians. We never panic. Carter: Yeah, right. When Godzilla's coming y'all be tripping. I've seen the movie, everyone goin' 'gaicka, gaicka'! [Lee and Carter stake out Steven Reign's woman, Isabella Molina, who seems to be retiring for the night] Carter: What's going on? Lee: [watches as disrobes] She. Is just standing around, not doing much. Carter: Well stay awake, something bound to happen. Lee: I try to stay awake.this is so boring. [While watching Isabella undress, whispers] Slow down baby. Carter: What did you say? I said nothing! Carter: I heard you say something! Lee: No, no, nothing. Carter: [notices Lee's shifting, gets up from bed] What is going on Lee? Getting undressed! Carter: What? Lee: She's getting undressed! [Carter forces Lee out of the telescope] Hey! It's not right. Carter: LORD, HAVE MERCY! She's taking off her skirt! Lee: I cannot hear this! [walks away] Carter: Black bra, black panties. Victoria's Secret spring catalogue, page 27. Girl's got class. [zooms in] She got a tattoo, that's cute. It looks like. I love Snoopy! [Tries to grab periscope] Carter: Hold up, I love Snoopy too. [Isabella opens the door for a delivery woman] Wait, it looks like somebody dropping off a package. Hey, that's the same person that dropped off the package at your office. Lee and Carter: It's a bomb! [scrambles to the suite] [Carter and Lee hit the Vegas branch of Versace where a salesman greets them] Salesman: Hi, nice to see you. Can I help you gentlemen? Carter: Yeah. I'm gonna need black, 42-long, and nothing touches this body but pure silk. And get my partner something from the kid's department. Salesman: OK, would your partner like to be wrapped in silk too? Some people think it's tacky, but I really enjoy it when couples dress alike. Carter: No - wait a minute - no! This ain't no couples thing, man. We're police officers; we're working a very dangerous case and we need some clothes. Lee: Yes, there are alot of men chasing us. Salesman: As well they should be. Listen, you have nothing to worry about, OK? Because I'm going to turn you two into the belle of the ball. Lee: Thank you. Salesman: Absolutely. [to Carter] Let's start with you, shall we? You've got the mochaccino face, beautiful skin, and the big broad shoulders, OK? Let's put a dead animal on you! Buttercream.What size is the waist? [approaches Carter with open arms] Carter: Hey! Watch it, sweetness! Salesman: He's got some fire to him! Carter: Honeycups! Salesman: I like that! Carter: Go get the clothes! Salesman: I'll go pull some items. I'll be back. Carter: [Looks to Lee] You saw that? Lee: He likes you. Carter: [Looks at him like he's lost his mind] I'm not shoppin' with you no more. [at the Red Dragon craps table, Carter has had enough of the harassment] Carter: How come you ain't got no black people performing in this casino? We ain't good enough for you? Pit Boss: We got Lionel Richie performing here tonight! Carter: Lionel Richie ain't been black since the Commodores! How about Peaches and Herb? Gladys Knight and the Pips? Ike and Tina? They can get back together, this is crazy- Pit Boss: Sir, please calm down. Carter: [with hands wailing manically in the air] I ain't calming down no more! I'm sick, you people tryin' to calm me down. [In the penthouse, Lee has a gun pointed at Ricky's Head] Carter: [just walked into the room] Hey, Ricky. How you doin'? Lee, I see you got everything under control, man. I'mma go back downstairs and. [notices Reign's body] What happened to Reign? Ricky: Would you like me to tell you how your father died? [Lee cocks the gun] Carter: Hey. Wait one second, Lee. It ain't worth it man. He tryin' to trick you. Don't go too far, man. Ricky: He never begged for his life or tried to make a deal. Carter: Put the gun down. Ricky: All he asked me, just seconds before I pulled the trigger, was that I promise not to kill you. Oh, it was so pathetic. Carter Aw, hell no. He done went too far now, Lee. You better shoot his ass right now, Lee. Shoot his ASS! Ricky: What are you gonna do, Lee? [Lee's face is showing hesitation] Carter: All you gotta do is pull that trigger back and BAM! Ricky: Are you gonna spend the rest of your life hiding like your father? Carter: Man, don't let him talk about your daddy like that! Shoot him, Lee! Ricky: You can't do it, can you? Carter: Yes, hell you can, Lee. Ain't nobody up here but us, man. Ricky: Just as I thought. Carter: Go off on him, man! He tryin' to punk you! Ricky: Go on! Carter: If you ain't gonna shoot him, kung-fu his ass or somethin'! [Ricky pushes Lee's hand out of the way, causing him to pull the trigger, barely missing Carter] [after kicking Ricky out of the window] Carter: Damn! Good kick, Lee. Lee: It was an accident. Carter: That's okay. We'll just say he tried to catch a cab. Taglines [ ] • Get Ready For A Second Rush! • The Mouth Of The West And The Hands Of The East Are Back! Cast [ ] • -Chief Inspector Lee • - Detective James Carter • - Ricky Tan • - Hu Li • - Isabella Molina • - Agent Sterling • - Steven Reign • - Captain Chin External links [ ]. Plot summary, trailer, cast and crew information, user reviews, and message board. The Coolsonian Criminology Museum is situated in the gang's hometown of Coolsville. Scooby-Doo 2: Monsters Unleashed. Scooby and the gang star in this action game based on the second Scooby live action film. Scooby-Doo 2: Monsters Unleashed. 2004 PG 1h 32m. Fred, Daphne, Velma, Shaggy and Scooby must stop a menacing scoundrel who plans to turn their town of Coolsville into the complete opposite. Starring: Freddie Prinze Jr., Sarah Michelle Gellar, Matthew Lillard. Genres: Children & Family Movies, Movies for ages 8. Scooby Doo 2: Monsters Unleashed movie clips: BUY THE MOVIE: Don't miss the HOTTEST NEW TRAILERS: CLIP DESCRIPTION: Fred (Freddie Prinze Jr.) and Daphne (Sarah Michelle Gellar) defeat two ghosts while Shaggy (Matthew Lillard), Scooby (Neil Fanning) and Velma (Linda Cardellini) run into monsters of their own. FILM DESCRIPTION: America's favorite teenage canine-led crime fighters earn a second shot at the big screen in this sequel to the hit comedy Scooby-Doo. The reunited Mystery Inc. Team -- Fred (Freddie Prinze Jr.), Daphne (Sarah Michelle Gellar), Velma (Linda Cardellini), Shaggy (Matthew Lillard), and Scooby-Doo (voice of Neil Fanning) -- return to their hometown of Coolsville as heroes when a local criminology museum offers an exhibition of the many ghostly disguises used by villains they've subdued over the years. However, their warm welcome is not long-lived; mean-spirited television reporter Heather Jasper-Howe (Alicia Silverstone) has aired a series of stories calling the team's intelligence and bravery into question, and even worse, a number of the weird creature costumes on display in the museum are coming to life and wrecking havoc on the people of Coolsville. Some of the clues seem to point to Old Man Wickles (Peter Boyle), whose attempts to pose as the Black Knight Ghost were foiled by the Mystery Machinists in the past, but is he looking for revenge or just a red herring? And what is Velma supposed to do about Patrick Wisely (Seth Green), a curator at the museum who's warm for her helmet-haired form? Scooby-Doo 2 also co-stars Tim Blake Nelson and features a cameo appearance from American Idol star Ruben Studdard. CREDITS: TM & © Warner Bros. (2004) Cast: Sarah Michelle Gellar, Matthew Lillard, Linda Cardellini, Neil Fanning, Freddie Prinze Jr. Director: Raja Gosnell Producers: Joseph Barbera, Richard Cowan, Alan Glazer, James Gunn, Brent O'Connor, Charles Roven, Kelley Smith-Wait, Richard Suckle, Enfys Dickinson Screenwriters: William Hanna, Joseph Barbera, James Gunn WHO ARE WE? The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans. 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En.wikipedia.org Scooby- Doo 2: Monsters Unleashed - Wikipedia 220 × 325 - 37k - jpg amazon.com David Newman, Various Artists - Scooby Doo 2: Monsters Unleashed. 354 × 355 - 43k - jpg imdb.com Scooby- Doo 2: Monsters Unleashed (2004) - IMDb 182 × 268 - 16k - jpg amazon.com Amazon.com: Scooby- Doo 2 - Monsters Unleashed [VHS]: Freddie. 259 × 500 - 46k - jpg amazon.co.uk Scooby- Doo 2 - Monsters Unleashed [DVD]: Amazon.co.uk: Unknown. 313 × 445 - 43k - jpg target.com Scooby- Doo: The Movie/ Scooby- Doo 2: Monsters Unleashed (WS. 520 × 520 - 60k thatmomentin.com Scooby- Doo 2: Monsters Unleashed and the Run From The Monsters. 994 × 577 - 957k - png dvdsreleasedates.com Scooby Doo 2: Monsters Unleashed DVD Release Date September 14, 2004 800 × 1200 - 647k - jpg warnerbros.com Scooby- doo 2: Monsters Unleashed - Warner Bros. - Movies 270 × 405 - 65k - jpg sky.com Scooby- Doo 2: Monsters Unleashed 1330 × 748 - 228k - jpg imdb.com Nostalgia Critic' Scooby Doo 2: Monsters Unleashed (TV Episode. 182 × 268 - 19k - jpg rogerebert.com Scooby- Doo 2: Monsters Unleashed Movie Review (2004)| Roger Ebert 400 × 596 - 73k - jpg youtube.com Scooby Doo 2 Monsters Unleashed 'Buffy the Vampire Slayer' Style. 1280 × 720 - 120k - jpg femfilm16.wordpress.com Scooby- Doo 2: Velma Unleashed| GWSS 3307 Feminist Film Studies 1024 × 768 - 174k - jpg ebay.com Scooby- Doo: The Movie/ Scooby- Doo 2: Monsters Unleashed (DVD, 2017. 203 × 300 - 33k - jpg barnesandnoble.com Scooby- Doo/ Scooby- Doo 2: Monsters Unleashed by Raja Gosnell. 192 × 286 - 24k - jpg dan-dare.org Dan-Dare.org - Scooby- Doo 2 Movie Wallpaper (1024 x 768 Pixels) 1024 × 768 - 149k - jpg jbhifi.com.au Scooby- Doo 2 Monsters Unleashed DVD| JB Hi-Fi 400 × 400 - 30k - jpg amazon.com Amazon.com: Scooby- Doo 2: Monsters Unleashed (Widescreen Edition. 1215 × 1500 - 364k - jpg thenerdsuncanny.wordpr. Scooby- Doo 2: Monsters Unleashed| The Nerds Uncanny 300 × 169 - 13k - jpg. Read the The Fluffy Movie movie synopsis, view the movie trailer, get cast and crew information, see movie photos, and more on Movies.com. Jan 7, 2015 - 113 minThe Fluffy Movie Unity Through Laughter 2014. Repost J'aime. Sitkal Network. The Fluffy Movie movie reviews & Metacritic score: A documentary that captures the on-stage performance and inspirational success story of Gabriel 'Fluffy' I. Watch video THE FLUFFY MOVIE captures worldwide comic phenomenon Gabriel. I know that Gabriel Iglesias is a very hot comic right now, but I was still surprised that his latest stand-up performance came to the theaters and not to TV or direct to DVD. I didn't go see it in the theaters--mostly because I didn't see the point of watching a stand- up routine in a theater and such a thing could be seen about as well at home. The film has a prologue with a kid who is supposed to be Gabriel at about age 8. It's kind of cute--but only makes up a few minutes of the film. The rest is his stand-up routine and he talks about a variety of topics such as his weight, his step-son and his relationship with his estranged father. A lot of it is very serious and not funny, though there are plenty of laughs as well. However, I really think his other performances I've seen were funnier--mostly because he told more stories and used more funny voices in those. Here, he's talking much more about life, family relations and being raised without father-- all topics which he jokes about a bit but also with a tough edge of seriousness. It's worth seeing and he is an immensely talented guy but not his best work. Concert films, especially of the stand-up comedy variety, are about the closest thing out there to truly critic-proof movies--they are essentially the cinematic equivalent of a souvenir T-shirt and are aimed so completely at the dedicated fan base of the performer in question that anyone who isn't a hardcore fanatic can feel like an outsider while watching one of them. The only stand-up films that have ever managed to transcend their limitations and reach out to a wider audience are Richard Pryor's 'Live in Concert' and 'Live on the Sunset Strip' and that was due almost entirely to Pryor's drop-dead brilliance on the stage transcending the limitations of the form, especially regarding the inevitable lack of connection between the performer and the people sitting in the multiplex. Most of the other films of this type have tended to be indifferently produced pieces of product that hang around theaters for a week or two before going into constant rotation on Comedy Central. That is certainly the case with 'The Fluffy Movie,' a recording of a performance given by popular Mexican-American comedian Gabriel 'Fluffy' Iglesias before a large and largely adoring crowd at the HP Pavilion in San Jose. Fans of his style of humor will no doubt enjoy it (as most of the people at the screening I attended seemed to) but anyone going into the film cold, as I did, will probably find it to be too much of a not-that-good thing that might have been satisfactory on television but not so much as something worth actually going out and forking over $12 to see in a theater. This is kind of a shame because Iglesias is an undeniably genial presence as a performer and there are some strong bits here and there, though not quite enough of them to win over anyone outside of his fan club. Unlike a lot of comedians working these days, Iglesias is not particularly aggressive or vulgar--at least not as seen here--and the material that he covers is not particularly edgy or radical. He talks about a trip to India and compares the similarities between that country and Mexico. He does a bit about being in a bar and being so drunk that he doesn't realize that a gay man is hitting on him. He talks about video games and how kids back in the day were forced to become mechanical experts in order to keep them running in contrast to today's slick machines. A lot of time is dedicated to discussing the faults of his stepson, especially his positions towards wearing deodorant and taking out the trash. Thanks to the frequent cutaways to the audience members cracking up, it appears as though Iglesias's live audience enjoyed the performance for the most part but when seen from the distance provided by the transition from the stage to the screen, the cracks begin to show. Presumably due to the fact that he is playing in an arena, he never seems to establish the kind of rapport with his audience that can make a stand-up performance more than just someone telling one joke after another. As for the material, it often feels a little too pat and predictable for its own good—the kind of stuff that any comedian of any stripe could crank out without breaking a sweat (anyone hoping for commentary on the immigration conflict, to name one especially ripe example, will be sorely disappointed)—and at 101 minutes, there is a little too much of it for its own good. One exceptionally expendable sequence is a prologue that purports to depict the circumstances surrounding his conception (involving his mother and a dashing mariachi band member) and his discovery of comedy (via renting ': Raw') and which also feature cameos from Tommy Chong as a video store owner and as a cigar-chomping obstetrician—the former presumably to honor another one of Iglesias's inspirations and the latter to make viewers feel relieved that Larry the Cable Guy wasn't available. The two best sequences in 'The Fluffy Movie' come near the beginning and toward the end. In the first, he talks in detail about his struggles to get healthy in the wake of a diagnosis of Type 2 diabetes, and, in the second, he discusses his unexpected reunion with his father after an absence of over 30 years. In these bits, Iglesias seems more engaged than at other times, and the way that he tackles such potentially tricky and treacly material pays off in laughs and in genuinely earned sentiment. If only the film had contained more moments like this, it might have broken through the ranks and becomes something more than a cable special writ large. Again, a film like 'The Fluffy Movie' is essentially immune to reviews—fans of Iglesias will flock to it (and should probably add an extra star to my review) while those who have never heard of him will barely register its existence as they flock to see ' and '.' I can't say that I came out of the screening as a convert to his comedic cause but I must admit that there are some funny moments on display that suggest that with stronger material and a tighter directorial hand, Iglesias could one day make a concert film that is worth going to see on the big screen. Aug 04, 2014 Armed Response Official Trailer (2014) action comedy directed by Adam Beamer, Evan Beamer and starring than Embry. Since 2004, businesses and homeowners in the Albuquerque area have trusted Armed Response Team (ART) to protect their families, homes and businesses. Armed Response Team is the only security company in the Albuquerque area dedicated to providing an immediate, in-person response. Our total security solutions include advanced alarm systems professionally installed and monitored 24/7. In the event of an alarm, our team of highly-trained veteran police officers actually respond in person to your alarm. ART is also staffed with full-time experienced alarm technicians. We can do everything from re-programming and servicing your existing alarm system, installing new residential or commercial alarms, all the way through elaborate access control and intelligent video systems. We have technicians on-call 24/7 and 365 days a year to make sure any equipment emergencies are handled. RoboCop 3 [Collector's Edition] + Exclusive Poster - Film Sci-Fi. Homeles Rebel (uncredited) Produced. Associate producer (as Andy Lamarca) Music by Cinematography. Director of photography Film Editing by Casting By Production Design by Art Direction by Set Decoration by Costume Design by Makeup Department. Key makeup artist (as Katie Bihr). Hair stylist: second unit / makeup artist: second unit. Assistant makeup artist. Key makeup artist. Prosthetic assistant (uncredited) Production Management. Unit production manager (as Pat Crowley). Post-production supervisor. Post-production supervisor (as Katherine Morris). Production supervisor: second unit. Executive in charge of production (uncredited) Second Unit Director or Assistant Director. First assistant director: second unit (as J. Thomas Archuletta). Second assistant director. First assistant director (as Steve Fisher). First assistant director (as Thomas Irvine). Second second assistant director. Second unit director. Second assistant director: second unit (as Cathy Roszell). Second assistant director Art Department. Assistant props / property master: second unit. Assistant props. Set dresser: second unit. Set dresser (as Steve Blutstein). Stand-by painter. Scenic chargeman. Assistant to production designer (as Andrew Cahn). Construction coordinator. Propmaker foreman. Set dresser (as Daniel Foster). Set dresser: second unit. Storyboard artist. Property master. Lead carpenter. Propmaker foreman (as Chris Scheetz). Assistant set decorator. First assistant art director. Assistant art director (as Kathy Sullivan). Storyboard artist. Assistant art director. Scenic foreman (uncredited). Shop coordinator (uncredited). Assistant to assistant art director (uncredited). Scenic foreman (uncredited). Scenic artist (uncredited). Storyboard artist (uncredited). Scenic artist (uncredited) Sound Department. Assistant adr editor. Adr editor (as S.A. Adr recordist (as Mike Cerrone). Adr recordist (as Deborah de Gorter). Sound mixer: second unit (as Mary Ellis). Dialogue editor / foley editor. Re-recording mixer. Sound effects editor. Foley walker. Adr editor (as S. Supervising adr editor (as Uncle Jay Kamen). Dialogue editor (as David Kulczycki) / foley editor (as David Kulczycki). Dialogue editor / foley editor. Re-recording mixer. Boom operator. Foley walker. Re-recording mixer. Sound effects editor. Assistant sound editor (as Eric Walter Orlow). Re-recording mixer. Re-recording mixer. Cable person (as Andrew Ponder). Supervising sound editor (as Paul Bruce Richardson). Foley recordist. Adr editor (as Vickie Samson). Dialogue editor / foley editor. Dialogue editor / foley editor. Adr mixer (as Paul Zydel) Special Effects. Roboteam crew: Rob Bottin. Roboteam crew: Rob Bottin (as Jim Belohovek). Special effects (as Gary Bentley). Roboteam crew: Rob Bottin. Special effects. Special effects. Roboteam dresser: Rob Bottin. Roboteam crew: Rob Bottin. Special effects (as Ken Clark). Special effects (as Robert Clot). Roboteam crew: Rob Bottin. Roboteam crew: Rob Bottin. Prosthetic applier: RoboCop, Rob Bottin. Project coordinator: Rob Bottin. Roboteam crew: Rob Bottin (as James Feldman). Roboteam crew: Rob Bottin. Roboteam crew: Rob Bottin. Special effects. Special effects (as David Goyette). Special effects (as John Hagey). Roboteam painter: Rob Bottin. Special effects supervisor. Roboteam crew: Rob Bottin. Roboteam dresser: Rob Bottin. Roboteam shop repair: Rob Bottin. Roboteam crew: Rob Bottin. Roboteam painter: Rob Bottin. Special effects. Roboteam crew: Rob Bottin. Project coordinator: Rob Bottin. Roboteam chief: Rob Bottin. Roboteam crew: Rob Bottin. Roboteam crew: Rob Bottin (as Vince Prentice). Roboteam dresser: second unit. Roboteam dresser: second unit (as Greg Punchatz). Special effects. Roboteam crew: Rob Bottin. Roboteam crew: Rob Bottin. Roboteam crew: Rob Bottin. Roboteam crew: Rob Bottin. Roboteam crew: Rob Bottin (as Al Sousa). Roboteam crew: Rob Bottin. Roboteam crew: Rob Bottin (as Bob Worthington). Finishing/rehab armor: Altered Anatomy (uncredited). Prosthetic assistant (uncredited) Visual Effects. Engineer: Tippett Studio. Production support: PDI (as Bob Chapin). Model maker: Tippett Studio. Armatures: Tippett Studio. Matte artist. Photographic effects: VCE (as Bill Conner). Matte cameraman. Production support: PDI. Digital effects supervisor: PDI. Camera assistant: Tippett Studio. Optical effects: VCE (as Dave Emerson). Producer: PDI. Photographic effects: VCE. Photographic effects: VCE. Animator: PDI. Producer: PDI. Matte artist. Optical effects: VCE. Optical effects: VCE. Optical effects: VCE. Computer graphics: Tippett Studio. Effects camera: Tippett Studio (as Peter Kozachik). Special photographic effects: VCE. Animation effects: VCE. Computer animation effects: VCE. Production support: PDI. Model maker: Tippett Studio. Art director: PDI. Optical effects: VCE. Editorial: VCE. Coordinator: VCE. Animator: PDI. Moldmaker: Tippett Studio. Effects production supervisor: Tippett Studio (as Julie Roman Tippett). Production assistant: Tippett Studio. Production assistant: Tippett Studio. Armatures: Tippett Studio. Effects camera: Tippett Studio. Production support: PDI. Stop motion animation sequences. Computer graphics: Tippett Studio (as Adam J. Animation effects: VCE. Opticals: Tippett Studio. Production accountant: Tippett Studio. Photographic effects: VCE. Administration: VCE. Stop-motion backrounds (uncredited). Visual effects (uncredited). Visual effects cameraman (uncredited). Digital effects (uncredited). Digital effects (uncredited). Matte artist (uncredited). Animator (uncredited) Stunts. Stunts (as Mike Adams). Stunts (as George Aguilar). Stunts (as Bruce Barbour). Stunts (as Rick Blackwell). Stunts (as Carl Ciarfallo). Stunts (as Greg Elam). Stunt coordinator. Stunts (as Barbara Klein). Stunts (as Steve Lambert). Stunts (as Shawn Lane). Stunts (as Andy Martin). Stunts (as Chris Nielson). Stunt coordinator. Stunts (as Bill Ryusaki). Stunts (as James Taenaka). Stunts: RoboCop. High fall stunt double (uncredited). Stunts (uncredited) Camera and Electrical Department. First assistant camera: second unit. Best boy electric. Second assistant camera. First assistant camera (as David Blackburn). Video engineer. First assistant camera (as William Coe). Camera operator: second unit. Key grip: second unit. Second assistant camera. Gaffer: second unit. Director of photography: second unit (as Frank Holgate). Electrician (as Nathaniel Kendrick). Still photographer. Best boy electric: second unit (as Joseph Tully McCulloch). First assistant camera: second unit (as Dick Montaigne). Camera operator: second unit. Camera operator. Best boy grip. Steadicam operator / camera operator: second unit. Second assistant camera. Second assistant camera: second unit. First assistant camera: second unit. Best boy grip: second unit. Camera operator. Video supervisor. Second assistant camera: second unit. Video camera. First assistant camera (uncredited) Animation Department. Animator: 'Johnny Rehab' commercial. Animator: 'Johnny Rehab' commercial Casting Department. Casting: Atlanta. Extras casting Costume and Wardrobe Department. Costumer: second unit. Key costumer. Key costumer. Costume supervisor Editorial Department. Editor: video. Post-production assistant (as Patsy Althouse). Negative cutter. Post-production coordinator. Assistant editor. Post-production assistant (as Stephanie Cone). Editor: video. Assistant editor. Additional editor (as Danny Retz). First assistant editor (as Yoko Seto) Location Management. Assistant locations. Location manager. Location manager: second unit (as Maida Morgan). Assistant locations. Location production assistant: second unit (uncredited) Music Department. Musician: synthesizer. Scoring mixer. Music clearance: Frincon Entertainment. Music editor. Music score contractor. Musician: oboe soloist (uncredited) Transportation Department. Transportation captain. Picture car coordinator. Transportation coordinator: second unit. Transportation coordinator. Transportation captain Other crew. Production assistant. Production assistant: second unit. Creator: RoboCop. Production assistant. Post-production accountant. Post-production accountant. Studio teacher. Assistant accountant. Script supervisor: second unit (as Toni Pezone). Production accountant. Armorer (as Mike Gibbons). Financial representative / production accountant. Production assistant. Helicopter pilot. Production assistant: second unit (as Martin Babington). Helicopter pilot. Script supervisor. Production assistant: second unit. Assistant: Mr. Production assistant: second unit (as John Leohle). Production coordinator: second unit. Production assistant (as Sara Scarritt). Production assistant. Production assistant: second unit. Publicist (as Jeanmarie Murphy Burke). Assistant to producers. Production assistant. Assistant craft service. Production assistant (as Kenneth Rogers). Craft service. First assistant accountant. Adr group coordinator. Director: 'Johnny Rehab' commercial. Police coordinator (as Mike Smith). Production secretary. Assistant production coordinator. Robo movement. Production coordinator. Additional voices (uncredited). Voice looping: multiple characters (uncredited). Adr voice casting (uncredited). Police security (uncredited). Adr voice (uncredited). Stand In for Jill Hennessy (uncredited). Police coordinator (uncredited) Thanks. Special thanks Crew believed to be complete. Buy Band of Robbers: Read 64 Movies & TV Reviews - Amazon.com. Band of Robbers. Recast as modern-day men, Tom Sawyer and Huck Finn draft their misfit cronies to help find the buried treasure the two have sought since boyhood. Band of Robbers movie reviews & Metacritic score: Tom Sawyer and Huck Finn are grown men, still searching for the hidden treasure that has eluded them since. Dec 10, 2015 - 3 min - Uploaded by MoviefoneTom Sawyer and Huck Finn are grown men, still searching for the hidden treasure that has. From left, Hannibal Buress, Adam Nee (as a kind of modern Tom Sawyer), Matthew Gray Gubler and Kyle Gallner (as a variation on Huckleberry Finn) star in “Band of Robbers,” a whimsical comedy written and directed by Mr. Nee and his brother, Aaron. Credit Gravitas Ventures The whimsical crime comedy “” might be described as a hipster’s answer to the “” movies, made for a more sophisticated audience and outfitted with literary credentials. This comic take on “The Adventures of Huckleberry Finn” and “The Adventures of Tom Sawyer” is infused with a gleefully absurdist sense of humor while retaining a childlike sense of wonder. The story, set in the present, recycles characters and incidents from those Mark Twain classics with an unabashed nostalgia. Tom and Huck are now young adult yokels with the imaginations of 19th-century country boys. There is a connection between then and now. Like the overgrown adolescents in a Judd Apatow movie, Tom and his pals crave adventure, though not of the carnal variety. The screenplay is blessedly free of snickering double entendres. The story, divided into chapters, is narrated by Huck (Kyle Gallner), newly released from prison, who reunites with the eternally boyish Tom. Huck, a brooding loner, is determined to find a job and stay out of trouble. Tom (Adam Nee, who with his brother, Aaron, both directed and wrote the screenplay) is an innocent who nurtures childish dreams about being a hero. He’s pushing 30 but is as enthralled by fantasies of buried riches as he was when he was a boy. For the Nee brothers, whose first feature was a micro-budgeted comedy, “,” verisimilitude and tonal consistency hardly matter. “Band of Robbers” is a goof that defies logic in its creation of a witty double vision of mid-19th- century and 21st- century Missouri. The carefully scrubbed language is of the sort found in a G-rated Disney film, but larded with self-conscious references to racism and political correctness involving two characters: the “Tom Sawyer” villain, Injun Joe (Stephen Lang), and Jorge (Daniel Edward Mora), a persecuted Mexican immigrant. Tom has his own moral code, inspired by the legend of Robin Hood. He would rather be an outlaw in Sherwood Forest for one year than president of the United States for infinity, he declares. The caper on which they embark, with Huck a reluctant fellow conspirator, and two misfit friends, Joe (Matthew Gray Gubler) and Ben (Hannibal Buress), involves the robbery of a pawnshop inside of which Tom believes is stowed a legendary cache of gold. The funniest scene is a farcical holdup by robbers wearing plastic grocery bags over their heads. When the robbery yields only a few dollars, Tom remains undaunted, and “Band of Robbers” turns into a comedic treasure hunt with guns blazing. At a certain point, the charm of a movie that is essentially a loosely connected series of riffs on Twain begins to wear thin, though there may actually be a moral here: One way or another, boys will be boys, even after they grow up. “Band of Robbers” is not rated. Running time: 1 hour 35 minutes. A ghost town is an abandoned village, town, or city, usually one that contains substantial visible remains. A town often becomes a ghost town because the economic. There has never been anything quite like Asger Leth's film 'Ghosts of Cite Soleil'; it's amazing it even exists and that the director is still alive. Rough as can be. City issues traffic advisory Thursday through Saturday. Due to the 73rd annual Shell Fair & Show, being held at the Sanibel Community Association. Andre & Solei. 'Tween Waters. 15951 CaptivaDr. The New Vinyls. The New Vinyls. Taylor Stokes. Full Bibliographic Citation MLA SparkNotes Editors. “SparkNote on Ghosts.” SparkNotes.com. SparkNotes LLC. The Chicago Manual of Style SparkNotes Editors. “SparkNote on Ghosts.” SparkNotes LLC. (accessed January 9, 2018). APA SparkNotes Editors. SparkNote on Ghosts. Retrieved January 9, 2018, from In Text Citation MLA “Their conversation is awkward, especially when she mentions Wickham, a subject Darcy clearly wishes to avoid” (SparkNotes Editors). APA “Their conversation is awkward, especially when she mentions Wickham, a subject Darcy clearly wishes to avoid” (SparkNotes Editors, n.d.). Footnote The Chicago Manual of Style Chicago requires the use of footnotes, rather than parenthetical citations, in conjunction with a list of works cited when dealing with literature. 1 SparkNotes Editors. “SparkNote on Ghosts.” SparkNotes LLC. (accessed January 9, 2018). Please be sure to cite your sources. For more information about what plagiarism is and how to avoid it, please read our article on. If you have any questions regarding how to use or include references to SparkNotes in your work,. If you’ve heard it once, you’ve heard it a thousand times: if you’re starting a business you’re going to need general liability insurance. But what does that mean? What protection does it afford? When 19-year-old Adam agrees to do a day's driving for his mum's gangster boyfriend Peter, it takes him on a 24-hour journey into a nightmarish world of. One of the most significant words in the field of law, liability means legal responsibility for one's acts or omissions. Failure of a person or entity. How do you determine your coverage needs? How does it work? What is General Liability Insurance? Liability insurance (also known as Commercial General Business Liability) protects a company’s assets and pays for obligations – medical costs, for example –incurred if someone gets hurt on your property or when there are property damages or injuries caused by you or your employees. Liability insurance also covers the cost of your legal defense and any settlement or award should you be successfully sued. Typically these include compensatory damages, nonmonetary losses suffered by the injured party, and punitive damages. General liability insurance can also protect you against any liability as a tenant if you cause damage to a property that you rent, such as by fire or other covered loss. Finally, it can also cover claims of false or misleading advertising, including libel, slander, and copyright infringement. Does your Business Need Liability Insurance? We live in a litigious society and even if you think you’re unlikely to face a claim, getting insurance is a wise investment that doesn’t cost much – annual premiums range from $750 to $2,000 depending on your line of business and coverage needs. That’s certainly a lot less than the thousands, if not millions, of dollars you may need to spend fighting your case in court. General liability insurance can be purchased on its own, but it can also be included as part of a Business Owner’s Policy (BOP) which bundles liability and property insurance into one policy. If you have a BOP, check it to see what your liability coverage limit is. You may find that it is quite low, in which case you may need additional coverage through a separate policy. How to Determine Your Coverage Needs The coverage you need depends on the type of business you are in and the perceived risk associated with it. For example, a building contractor will need more coverage than a web designer or consultant. Your business location is also another factor that comes into play. For example, some states tend to award more in damages to plaintiffs claiming personal injury than others. Talk to a licensed insurance broker for advice on this before you rush out and buy a policy. As mentioned above, if you fall into the lower risk category, you may want to consider a Business Owner’s Policy (BOP) which combines general liability and property insurance at a cost-effective rate. Confused about where to start? Take a look at SBA’s which includes tips on assessing your risk, shopping around, BOPs, and maintenance of your policy. How General Liability Insurance Works As with many insurance plans, your general liability policy will outline the maximum amount the insurance company will pay against a liability claim. So, if your small business gets sued for $250,000 for medical costs associated with an injury caused by a worksite hazard, plus an additional $100,000 in legal fees, but your coverage maxes out at $300,000, then you are responsible for paying the difference of $50,000. If you are on the higher end of the risk scale and already have general liability insurance, you can also opt for excess insurance or umbrella insurance that increases your coverage limits. This will cover you in situations in which you’re worried that your existing coverage won’t cover all your costs should someone file and win a claim against you. Be sure to do your industry research before you invest in any policy. Sometimes a client contract will require that your business has the appropriate coverage or umbrella insurance to perform work on their behalf. Likewise, some construction contractors may add you to their general liability policy as an additional name to be insured for the duration of the project. Filing a Claim If an incident occurs that may lead to a claim, you should notify your insurance company or agent immediately. Be prepared to explain what has happened in detail including the time, date, the names of any witnesses, and any other pertinent information. What other Insurance do I Need? Besides general liability insurance, most states also require that businesses with employees pay workers’ compensation insurance and state disability insurance. For specific requirements, read more about. Depending on the nature of your business, you may also need auto insurance, home business insurance, alcohol liability insurance (if you sell or serve alcohol), product liability insurance, environmental and pollution insurance, and more. Read more about. Related Article • SBA’s guide. This book offers an innovative approach to the topic of liability in international arbitration, a controversial topic that has heretofore not been fully explored in the scholarship. Arbitral institutions have recently emerged as powerful actors with new functions in and outside arbitration processes. The author proposes to shift the debate on liability from arbitrators to the arbitral institutions. The book re-evaluates the orthodox understanding of the status, functions, and responsibility of arbitral institutions and is recommended for arbitration scholars, practitioners, and students. It is argued that the current regulations regarding liability are inadequate given both the contractual obligations and the emerging public function of arbitral institutions and that institutional arbitral liability is therefore necessary. The book also links the contemporary functions of arbitral institutions to recent debates regarding legitimacy challenges in international commercial arbitration. Responding to these challenges, a model of institutional contractual liability is proposed that invites arbitral institutions to proactively regulate the scope of their liability. Enough spooky imagery to hook my attention. I liked the almost crime drama feeling it had to it. I liked how it started seeming supernatural, then enough happened to make me doubt. Just when I was willing to let go of the idea of anything supernatural going on, that vision came out of the dark and made the hairs on the back of my neck stick out. So fucking creepy. Also felt for the family. The relationship between the mother and the daughter was sad, but kinda relatable to me. The ending, when you hear the trance being played over them leaving the house was so sad and touching. Honestly, Lake Mungo is another decent film that is failed by people hyping it too much. For a very long time, I have been on a quest to find a truly frightening, truly unsettling, scary movie. It’s not an easy quest. The last one to achieve that lofty. How can the answer be improved? I also found it disappointing. It was hard for me to find (it was years ago) and that made me even more excited when I finally located it. I wanted to like it, since so many people told me it was a great found footage, but it was so slow and at times just downright boring. I'm a found footage fanatic (a blessing and a curse), I've seen more of that genre of movie than any other, and while Lake Mungo wasn't the worst thing I've ever seen, it didn't hit any chords with me. I also don't like the mystery/true crime documentary formats unless they truly stand out. Lake Mungo seemed less about ghosties and more about grief, which is all fine and also a fresh take, but I didn't consider it horror. After all the hipster hype I too was disappointed. It's not bad but it didn't do much of anything else either due to the ending that wasn't really shocking even though that was what they were going for. I was more like, 'is that it?' And I didn't have any emotional connection with any of the characters. They are all very forgettable. The story was slow but not in a good way. It was a decent horror movie but nothing out of the box or memorable. Oh and nope, I wasn't scared. If you want to go unknown low budget indie horror, I would say 'Absentia' was better. |
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